Kim Jee-woon, known for pushing genre boundaries in films like “A Tale of Two Sisters” and “I Saw the Devil,” brings his unique touch to “Cobweb.” While the film’s comedy may disappoint under a different director, Kim’s craftsmanship holds it together, making it watchable despite its flaws.
“Cobweb” unfolds predominantly within the confines of a soundstage during the 1970s, where a director named Kim, played by Song Kang-ho, endeavors to create his magnum opus—a black-and-white Korean horror film. However, he grapples with perfecting the ending and faces opposition from censors. Despite this, Kim forges ahead, resulting in comical situations as the cast and crew attempt to conceal their true intentions from authorities seeking to halt the production.
Amidst the chaos, the actors struggle with their new roles and deal with personal drama off-camera, adding tension and humor. The studio boss remains unaware, the leading man continues to cheat on his wife, and the young star conceals her pregnancy, resulting in what’s euphemistically termed “creative differences” in the industry.
One major issue with “Cobweb” is that the film within the film seems more compelling. A black-and-white Kim Jee-woon production featuring giant spider webs and intense murders would be a captivating watch. However, “Cobweb” primarily focuses on the challenges of filmmaking and how easily people can become ensnared in a misguided vision. While it echoes themes from films like “Ed Wood” and “Birdman,” it lacks the same spark and depth. It’s unclear whether Kim is poking fun at the filmmaking process or revealing its complexities.
Kim appears to aim for farce with “Cobweb,” akin to a Noel Coward play infused with Korean flair. The visuals, captured by DP Kim Ji-yong, are stunning, yet the film struggles to find its tone, often feeling loose and lacking in direction. There’s a sense that Kim may be experimenting intentionally, testing his ability to craft a self-indulgent, lightweight comedy. While he somewhat succeeds, it pales in comparison to his more intricate and precise previous works.
| Aspect | Description |
|---|---|
| Director’s Touch | Kim Jee-woon infuses “Cobweb” with his signature style, blending genres and pushing boundaries. |
| Plot Setting | The film unfolds primarily on a 1970s soundstage, where director Kim faces challenges in shooting a horror film. |
| Character Dynamics | Personal dramas among the cast and crew add depth to the chaotic production environment. |
| Narrative Focus | The film’s inner narrative, centered on the horror film being made, is more captivating than the overarching story. |
| Tonal Approach | Kim attempts a farcical tone, akin to a Noel Coward play, but struggles to maintain consistency throughout. |
| Visual Presentation | DP Kim Ji-yong delivers stunning visuals, enhancing the film’s overall aesthetic appeal. |
| Director’s Intent | Kim may be experimenting with a lightweight comedy, testing his ability to diverge from his usual style. |
